Why Aren’t the Stars Burning? – a flash scifi story

The sky beyond our starship was streaked with light. The bright beams of lasers, the blazing flowers of exploding warheads, the glowing wakes of crippled engines and flames tearing through ruined hulks.

My eyes watered from the acrid smoke. Breathing made my throat ache but it was better than the alternative, just like being on the bridge of the Remus was better than being anywhere else in the fleet. We sat at our stations, trembling hands working the controls that still functioned, caught in one last moment of defiance. If we could smell the burning systems from here then we would all burn soon.

“Fire everything you have!” Admiral Salter yelled. “Every beam and torpedo, every bullet and bomb. Make the bastards bleed!”

“We’re doing it, Admiral,” I replied, wiping the sweat from my brow.

“Then why aren’t the stars burning?”

I swallowed and forced myself to face him.

“The stars still blaze, Admiral. Their light is hidden by the battle.”

“Why don’t they blaze brighter, Tollard?” He glared at the red console above my station. “Why aren’t they bursting apart to swallow up this wretched mess? Why aren’t we going down by the light of the Never Bombs?”

I shrank from the intensity of his stare.

“What good will killing the system do?” I asked.

“It will teach others to fear the wrath of the Republic. You think we built this weapon to sit on it? Launch the bombs!”

Gripping the back of my seat, I stood to face him. A fearful, lizard part of my brain betrayed me, one hand reaching for the controls. Obedience had a power beyond thought, but I forced my hand back and forced myself to stand firm. My fingers gripped my sidearm tight, the bite of cold metal reassuring me of my body’s obedience.

The priests said that I was damned if I disobeyed a superior, but I was damned if I was killing planets of minions. Better to ride the wave to Hell alone than to be flung down by furious ghosts.

 “The war is lost,” I said. “Never Bombs won’t stop that.”

Across from me, Gonda looked up from the shield controls, wide-eyed with shock at what was playing out. Her fingers darted across her console, redirecting the last dregs of energy, keeping our defences from collapse. I wasn’t going to waste these last minutes she had bought us.

“Do as you’re told, Tollard.”

The Admiral drew his sidearm and pointed it at me. Despite everything, the blackness of its barrel filled me with dread. When all you have is moments, they become more precious.


“Then stand aside and I’ll do it.”

I drew my own sidearm.

“I won’t let you.”

I heard a thud and felt pain rip through my shoulder a moment before my own finger tightened. My shot hit the floor and I fell, blood streaming across the deck.

I forced my shaking hand up, trying to aim for the admiral, but it was too late. In three swift strides he had reached my station. His foot clamped down on my forearm and he reached for the Never Bomb controls.

“If the Republic burns, then we’ll burn the sinners away too,” he said.

He flipped switches and twisted dials. A countdown began, sixty second to give a commander thought before unleashing total destruction.

Tears streamed down my face, drawn by more than the smoke. There was only one way out of this.

Every millimetre of movement filled with pain, I raised my wrist and pointed my sidearm. I squeezed the trigger. There was a thud and Gonda sprawled across the shield controls. A second shot smashed those controls apart.

Alarms howled. The ship shook as shields collapsed and enemy fire hit.

Bright light blazed across the viewscreen.

“The stars are burning,” Admiral Salter said with a wide grin, oblivious to the clock running down behind him. Thirty seconds until the failsafe passed and he could launch the bombs.

Long enough for us to die.

Another flash and the screen went dead. A bulkhead gave way and smoke billowed onto the bridge.

“The stars are burning,” Salter repeated like a priest reading from the Great Verse.

I sank limp onto the deck. In the final moments, stars blazed across my vision, but the universe around me was safely dark.


If you enjoyed this story and would like to read more like it then you might want to sign up to my mailing list, where you’ll get a free ebook and a flash story straight to your inbox every Friday.


Lies We Will Tell Ourselves

Lies - High Resolution

A spin doctor forced to deal with aliens who loathe lies.

A squad of soldiers torn apart by the fiction in their midst.

A hunting submarine with its dead captain strapped to the prow, the crew promising that one day they’ll revive him.

We all tell lies to get through the day, some of them to ourselves, some to other people. Now read the extraordinary lies of the future in these nine short science fiction stories.

Lies We Will Tell Ourselves is available now from all major ebook stores.

Storytelling Books as Stories

“Storytelling, then, is born from our need to order everything outside ourselves.” – John Yorke, Into the Woods

In his excellent book Into the Woods, John Yorke talks about how other cultural forms, from philosophical texts to jazz records, are like stories. They all try to provide order in a seemingly chaotic world, something that humans instinctively do. It’s a way of giving life meaning and asserting some control.

Books about story structure follow this same pattern. They’re attempts to assert order out of the apparent chaos of words and imagination. Yorke’s own book fits the pattern he’s describing.

Good or bad, right or wrong, writing guides help us to assert order over writing. In doing so, they make us feel good, which perhaps explains why so many writing guides, of such variable quality, go soaring off the shelves.

These structures can be useful as well as satisfying if they give us enough feeling of control to grapple with the task of writing. And as Yorke shows, beneath their novelties, many of them follow the same underlying patterns.

At the end of the day, these too are stories – stories about how stories work.

The Awkward Love Lives of Gargoyles – a flash fantasy story

By the time the sun set, Darbelfang had spent the whole day building up his courage. Unable to move while humans roamed the world below, unable to even talk with his fellow gargoyles, he had spent hours working out what to say and to do. He knew he wasn’t worthy, but he was as ready as he would ever be.

“‘Ood ‘uck,” Ordrasy said, grinning around the pipe that protruded from his mouth.


Darbelfang hauled himself from his place above the church window and up the roof. Where the nave met the tower, he squeezed through a pointed window, his sandstone scraping against the frame, and lowered himself to the narrow ledge below.

There he saw her, carved from the purest marble, feathered wings sprouting from her back.


He forced himself to stop staring and approach before his courage evaporated. As he got near, there was a low grinding noise and she turned to smile at him.

“Darbelfang,” she said through lips that had never been disfigured by a drainage spout. “It’s nice to see you.”

“‘Ou ‘oo,” Darbelfang said.

She was looking straight at him! He wanted to stare into those exquisitely carved eyes, but he was too nervous and had to look away.

“I ‘as ‘ondering,” he began. “’At is ‘o ‘ay-”

“I can’t understand you,” Mefolina said, looking at him quizzically. “Maybe this would be easier if…”

“Oh, ‘es!” Darbelfang retracted his pipe. For the first time in days, his own lips met. “What I meant to say was, I think you’re really pretty and really smart, and I know I’m just an ugly brute with frogs legs and donkey ears, but-”

“I don’t think you’re ugly. The ears are sweet.”

Now he’d said something wrong! This was all going horribly. Darbelfang ran a hand across the course stone of his head and took a deep breath. Better to get it all over with now, to be shot down in one single, hideous go.

“I know you’re probably busy, and you won’t have the time, but I just thought maybe we could…”

“Could what?”

It was one thing to say this to an imaginary Mefolina, but saying it out loud, to the real her, and to face her response, it was all too much.

“Never mind.” He turned on the narrow ledge, ready to leave. “I’ll just go.”

A hand took hold of his, its surface as smooth and pale and beautiful as bone. Darbelfang quivered.

“I’m not good enough for you,” he muttered.

“I’ll be the judge of that.”

She pulled him closer, smiling and unfurling her wings. Her face was inches from his. He leaned in closer, her lips parted, and-


“’Orry, ‘orry!” Darbelfang retracted his pipe. “It comes out when I’m excited.”

Mefolina laughed, then covered her mouth.

“I didn’t mean to-”

Darbelfang leaned in again. But his clumsy frog legs lost their grip on the ledge. He tottered and started to fall.

Mefolina shot out a hand, grabbed him by the ears, and hauled him back to safety.

Sitting on the ledge, Darblfang stared disconsolately at the ground below. He’d dreamed of this moment as he slept through the long days of summer, but now it had come he had ruined it.

“I should go. I’m making a terrible mess of this.”

“Please don’t.” Mefolina bit her lip. “You’re funny and you’re smart and you’re one of the few gargoyles with the courage to come talk to me here. The problem isn’t you, it’s this stupid ledge.”

Darbelfang took a deep breath. He could barely bring himself to believe what she was saying, but…

“Maybe we could go up onto the roof?” he asked, daring to look at those finely carved eyes again. “We could catch pigeons and watch the moon rise.”

“I’d love that. Why don’t you lead the way?”

Darbelfang grinned and the pipe shot from his mouth once more. It was going to be a magical night.


This story started out as a silly comment on Twitter, about writing awkward urban fantasy romance. Once again, I will take inspiration from anywhere.

If you enjoyed this story and would like to read more like it then you might want to sign up to my mailing list, where you’ll get a free ebook and a flash story straight to your inbox every Friday.


By Sword, Stave or Stylus

By Sword, Stave or Stylus - High Resolution

A gladiator painting with manticore blood.

A demon detective policing Hell.

A ninja who can turn into shadow.

Prepare to be swept away to worlds beyond our own in these thirteen short fantasy stories.

Action, art and mystery all feature in this collection, available in all ebook formats.

From reader reviews:

‘These fantasy genre stories take wordsmithing and storytelling to great heights.’ – Writerbees Book Reviews

‘There isn’t a single story in here I don’t love. All short and sweet (or dark), all fantasy with history woven through, all a slightly skewed perspective that will make you rethink assumptions. Totally worth a read.’

Into the Woods by John Yorke

I read a lot of books and articles on writing. After all, you don’t improve at anything without learning from others. And one of the best ones I’ve found recently is Into the Woods by John Yorke.

Plotting Stories

The book cover of Into the Woods

Into the woods is all about storytelling. Specifically, it’s about the overarching shape of stories. Yorke takes a range of different approaches to this, including three-act structure, five-act structure, and the hero’s journey, and demonstrates how they follow a similar pattern. From this, he draws out a set of principles for how to tell stories.

One of the most interesting things about Yorke’s work is the variety of examples. There’s a lot of mainstream British TV here, as that’s his writing background. But he also takes examples from classic literature, Hollywood movies, and even indie films that claim to break the mould. He shows how they all, in their way, follow the same pattern.

Connecting Plot and Character

Like the best books on plotting, Into the Woods connects character and plot. It shows how the tensions and the thrills of a good story arise from the protagonist’s needs and desires.

More than this, Yorke brings together a lot of the hot topics in modern writing advice and connects them together. The gap between wants and needs. The centrality of conflict. Making the internal external. Showing versus telling. He artfully demonstrates how they aren’t just a useful set of tools – they’re an interconnected web of ideas from which a story is built.

My Favourite Writing Book Since Story

I’ve taken in a lot of good writing advice recently, from sources like the Writing Excuses podcast, the Mythcreants blog, and Lessons from the Screenplay’s videos. Some of that is as good as this book, and even reflects similar lessons. But as a book, a single substantial text on the subject, this is the best thing I’ve read since Robert McKee’s Story. So if like me you’re looking for lessons on writing, I heartily recommend it.

Billowing Breeze – a flash steampunk story

Earnest walked slowly down the line of racing wagons, notebook in hand. Every year, the machines at Cheltenham races became more impressive, these glorious assemblages of brass and chrome, steam pouring from their boilers as they were stoked for the race. He noted the use this year of higher chassis and reinforced front wheels, a shift he considered more a matter of aesthetics than function, as practical as the top hat fashion forced him to wear.

A steam engine

“Hey, aren’t you Earnest Fry?” A young woman in goggles and racing leathers peered out from one of the machines. “Are you going to include my Breeze in your race report?”

Earnest peered at the embossed plate on the hood, carrying the name “Billowing Breeze”. Not a machine he had heard much about, but Cheltenham had provided upsets in the past.

“That depends upon how she performs.”

“Want to find out first hand?” The driver grinned and gestured into the back of the Breeze.

Earnest stared at the trembling boiler, the explosive pressure of its steam barely contained. He swallowed and looked away.

“I don’t ride along. Terribly unprofessional.”

“To hell with professional – you can write about the races better if you know what they’re really like.”

“I don’t need writing lessons from a soot-stained mechanic.”

“You saying you can’t get any better?”

“A dozen awards say that I’m the best.”

“Not this year, though. This year Jardine got the prize.”

Earnest glared at her. He would not be so easily goaded.

“Riding with you would cloud my objectivity. I must give all the contestants fair and equal attention. Now good day.”

He walked stiffly on.

“There’s a simple solution,” the woman called after him. “If it’s really about fairness.”

Earnest gritted his teeth. He wanted nothing more than to get away, to find a nice cup of tea and write up his notes. But other drivers were watching now and he couldn’t have this impertinent grease monkey besmirch his reputation for balanced reportage.

He turned to face her.

“What solution could you possibly have that I have not considered?”

“Ride with all of us. Then there’s no bias.”

He imagined himself climbing into each machine in turn, sitting amid the intricate grandeur of their mechanisms, facing the terrible power of those boilers.

“I have reported on these races since before you were born.” He jabbed the air with his pencil. “My knowledge and objectivity are beyond reproach. I will not be taunted into some act of tomfoolery!”

“How you going to be objective when you’re so wound up?”

“I am not wound up.”

“Scared then.”

“I am not scared.”

“Prove it.” She gestured at the steps up to the cabin of her machine.

“Very well, I will.”

Earnest strode over, grabbed the handrail, and climbed up the steps. At the top, confronted with the heat of the firebox and the trembling of the boiler, he froze.

The driver held out her hand.

“Come on in,” she said gently. “The old girl won’t bite.”

Earnest wrenched his gaze away from the flames of the firebox. A small crowd had gathered below, chattering about the great journalist taking his first ride. There was an air of excitement. Dozens of faces looked up at him.

He took a deep breath and stepped into the cab.

“Off we go.” The driver kicked the firebox hatch shut, released the brake lever, and pulled back on the throttle.

The wagon shook and started rolling forward, building up speed. Earnest gripped the rail so hard his fingers hurt. He forced himself to keep his eyes open, to see and hear and feel every detail, despite the furious pounding of his heart.

As the vibrations of the engine shook him, an unfamiliar feeling swept through Earnest. The words that crowded his mind fell away, leaving only the sensations of this moment.

As they grew faster, the wind blasted his skin and whipped at his coat. His heart kept racing, but now its rhythm was in time with the engine. He tore off his top hat and waved it in the air.

“This is exhilarating!” he called out over the roar of the engine. “Invigorating! Astonishing!”

Spectators shot past to either side as Billowing Breeze rushed down the course. Some cheered and waved. Earnest waved back.

At the end they stopped. Earnest took hold of the driver’s hand and pumped it up and down.

“Thank you,” he said. “Thank you so much.”

“You want another go?” she asked, a twinkle in her eye.

“Oh no. I have to be objective.” He pointed to where the other racing wagons stood, a glorious gathering of brass and chrome and pulsing power. “I have to take a ride in all of them.”


If you’d like more flash fiction then you can sign up to my mailing list, where you’ll get a free ebook of steampunk short stories and a flash story straight to your inbox every Friday.


Dirk Dynamo is used to adventure. He’s chased villainous masterminds across the mountains of Europe, stalked gangsters through the streets of Chicago, and faced the terrible battlefields of the Civil War. But now he’s on a mission that will really shake his world.

For centuries, the Great Library of Alexandria was thought lost. Now a set of clues has been discovered that could lead to its hiding place. With the learned adventurers of the Epiphany Club, Dirk sets out to gather the clues, track down the Library, and reveal its secrets to the world.

Roaming from the jungles of West Africa to the sewers beneath London, The Epiphany Club is a modern pulp adventure, a story of action, adventure, and romance set against the dark underbelly of the Victorian age.

Available in all good ebook stores and as a print edition via Amazon.

Writing What I Like

I recently spent nearly a whole week writing comics.

This isn’t the first time I’ve written comics. I’ve created quite a few scripts for Commando, not to mention the short I did for Top Cow a few years ago. But this is the first time I’ve had enough of that work, and few enough other urgent work distractions, to make it my main focus for a whole week.

This is one of the things about building up your own business. These moments creep up on you. You’re just trundling along, doing a little more of this, a little more of that, and suddenly you have a week that would make the you of a few years ago sit up and say “damn, that’s great!”

So yeah. I’ve spent a week writing what I like. It was fantastic. Here’s hoping I get more of the same soon.

Owning the Sin – a historical flash story

Rob raised his musket and aimed at the oncoming Roundheads. Even through the smoke drifting across the battlefield, he could smell the powder in the pan so close to his face and the match smouldering away in the lock.

“Fire!” the captain bellowed.

Rob squeezed the trigger and closed his right eye. There was a click and a flash as the match hit the pan, then a moment later his musket barked, along with hundreds more along the line.


Rob lowered his musket and reached for his powder and shot. The first round of each battle was an orderly business, the men working in unison through the intricate dance of loading and firing. But by now they were all just going as fast as they could to get their hits in before the enemy reached them.

A man next to him fell as the Roundheads fired back, but Rob pressed on. Reloading complete, he raised his musket and took aim.

A familiar face emerged from the ranks across from him, a face all too similar to his own. His stomach lurched.

“Fire!” the captain bellowed.

With a jerk, Rob tilted his musket up, then squeezed the trigger, firing into the sky. It was one thing to shoot the nameless men who had taken up a false cause. It was another when their rank included his own brother.


Red-faced with shame, Rob reached for his powder again, but this time he didn’t reach for the shot.


The camp was dark but not quiet. Everybody knew that they would fight again tomorrow. Despite a day of marching and shooting, the tension of that knowledge overcame their exhaustion.

Rob crept through the camp. He had left his belongings behind, pretending that he was just going for a piss. By the time anyone realised the truth, he would be long gone.

“Where are you going, Rob?”

The voice stopped him in his tracks. He turned to see the captain in his red coat.

“Just, you know, in the trees…”

“Wrong way for the trees. Looks to me like you’re heading towards the road.”

Rob stiffened. He reached for the sword at his side, then hesitated. He wasn’t willing to kill his brother. Was he any more willing to kill a man he’d fought alongside?

He let out a sigh and his whole body slumped.

“I saw Adam on the other side today,” he said.

“That’s the brother who turned puritan?”



The captain watched Rob in the dim light of the nearest campfires.

“I can’t shoot at my own brother.”

“So you’re deserting?”

Rob nodded. He hadn’t let himself think that word, even though he knew it was true. Wretch that he was, he could at least face the consequences with dignity.

“I’ll take my punishment, whatever it is.”

“It’s a tough situation, lad, but you’ve owned your sin, now you can overcome it. Head back to camp and I’ll say no more.”

“I was deserting! I deserve to be punished.”

“You’re not deserting now, and that’s what matters to me.”

Rob trudged back to the fire and the comradeship of his unsuspecting company. Their welcoming smiles stung more than any lash.


Rob raised his musket and aimed at the oncoming Roundheads. Along the line, others did the same, ready to kill for king and country.

Rob scoured the faces across from him, looking for that familiar one. He could fire into the sky again, or choose to load powder without shot. His captain was busy with the battle line. He’d never know.

But what then for the rest of their men? What danger did he put them in by not fighting? And what of the cause he’d sworn himself to?

He took aim and tightened his grip on the trigger. He couldn’t see his brother in the front rank facing them. He would just have to hope he wasn’t in the rank behind.



I’ve been thinking a lot about the English Civil War recently. There are some features of recent politics that are disturbingly similar to the buildup to that terrible war. While I’m not running around panicking that we’re on the verge of violence, it has put the war and its dilemmas in the forefront of my mind – hence today’s story.

If you enjoyed this story and would like to read more like it then you might want to sign up to my mailing list, where you’ll get a free ebook and a flash story straight to your inbox every Friday.


From A Foreign Shore - High Resolution

What if someone had conquered the Vikings, someone claiming to be their gods?

What if King Arthur’s knights met a very different metal-clad warrior?

What if you were ordered to execute a statue, and hanging just didn’t seem to work?

These short stories explore different aspects of history, some of them grounded in reality, some alternative takes on the past as we know it. Stories of daring and defiance; of love and of loss; of noble lords and exasperated peasants.

From a Foreign Shore is available now in all ebook formats.

Scattering the Seeds of Short Stories

This is a story about stories, and about finding joy in unexpected places.

Weird Tales cover

Back in the early 20th century, short stories were a big deal. Magazines full of them were sold on newsstands. They were the rich soil in which the careers of genre stalwarts and literary greats grew.

But as time passed, that vast forest of short stories receded. Magazines fell like so many autumn leaves. Readers were more interested in novels, even series, losing themselves in a single narrative for hours on end. It had become easier to afford lots of novels, and that’s what sold.

The arrival of the internet kept the dwindling remains of the short story forests alive, as they found new ways to reach their audiences. A few venerable institutions kept going while exotic new ones rose to join them, but short stories were still contained within limited habitats, loved and nurtured by the few people who knew about them but not widely considered.

Short story dispenser in Gare du Nord station, Paris

Now they’re reaching out, planting seeds in unfamiliar soil. A few weeks ago, in the Eurostar terminal in Paris, I watched two people install a machine that dispenses short stories. My friends and I got the first stories from the machine. Soon, others were coming over, curious to press the button and see what narrative emerged. For a few minutes at a time, they were transported to other worlds and other lives, getting to feel the thrill a good story can bring.

These were flash fiction, tiny stories for people accustomed to the quick fix of social media. There was a new interest in brevity and the stories were making the most of it, putting down narrative roots in human brains. Maybe such machines will bring a whole new revival in interest in short fiction. Maybe they won’t. But if they bring a few more readers joy, and if they keep that once great forest of stories alive just a little longer, then they’re going to be worth it.

And hey, if you’d like to try more short stories yourself, you can get a new one into your inbox every week by signing up to my mailing list.

Gremlin in the Gears – a flash fantasy story

“Get your bally plane into the fight, Houghton!”

A Spitfire in flight

Squadron Leader Royce’s voice rattled from the radio of Arthur Houghton’s Spitfire. The air ahead was full of planes, twisting and tumbling through the late summer sky. The squadron were fighting for their lives and Houghton was stuck, his plane refusing to accelerate to full speed or to make more than the slowest of climbs.

“I’m trying, sir,” Houghton replied over the roar of the engine. “I swear, there are gremlins in my gears.”

“Stop blaming your machine and get stuck in.”

Houghton gritted his teeth as he wrestled with the trembling controls. Why was it always his plane that failed? No wonder the others whispered about cowardice just on the edge of his hearing.

He tilted his head and peered out of the cockpit. A green head with bulbous eyes stared back at him. Something was peeling back the housing of his engine, something with jagged teeth, an oil-stained arm, and a fistful of frayed wires.

“It can’t be.” Houghton stared wide-eyed at the creature. “It’s a gremlin. An honest to goodness gremlin.”

“I swear to God, Houghton, I’m going to have you on a charge,” Royce snarled.

Houghton yanked the stick, turning the Spitfire into a sudden roll. The gremlin swung loose, hung for a moment by one hand, and then vanished from view.

Grinning, Houghton straightened out and accelerated towards the fight.

“I’m on my way, sir.”

A Messerschmitt 109 loomed in the sky ahead of him. He pressed the trigger on his guns and bullets tore through the air, missing the enemy by inches. The 109 started to turn. Houghton followed, lining up his guns, almost ready…

A green face plastered itself across his view. He yelled in alarm as the gremlin gnashed its teeth.

Then the creature turned and ran down the front of the engine. Somehow, the speed of the plane and turbulence of the air didn’t shake it off. It bent open the engine housing and thrust a hand inside.

The engine sputtered and failed. Houghton found himself drifting into a terrifying glide with no power and little control. He hammered at the started, but got only the most fleeting of growls.

The 109 had completed its turn and was hurtling towards him. Bullets tore through Houghton’s wingtip, then crept closer as the pilot narrowed his aim.

The 109 was nearly on top of Houghton. The gremlin stood by the open engine panel, grinning as it stuffed something oil-covered into its mouth, then came running back along the plane to jump up and down on top of the cockpit, smearing Houghton’s view with its oily feet.

In desperation, he punched the instrument panel. Something shook loose and the engine gave a strained growl.

Seizing on that brief moment of power, Houghton flew up into the path of the 109. The German turned to avoid a collision. Houghton spun his plane and pushed the stick. For a moment, the underbelly of the enemy was inches from the top of his cockpit.

There was a thud, a shriek, and the two planes peeled away from each other. When Houghton looked back, he saw something green clinging to the front of the 109. Smoke was streaming from the 109’s engine.

He pressed his starter. The engine roared into life – not healthy, but working.

He reached for the radio, about to tell the others what he’d seen, to prove that he wasn’t a coward. Then he realised how it would sound.

“Sorry, Squadron Leader,” he said as he turned to join the dogfight. “Lost my nerve for a minute there, but I’m with you now.”


The myth of gremlins, malicious creatures that stop machines working, originated with the Royal Air Force in the 1920s and ’30s. By the Second World War, it had become common to blame unexplained mechanical failures on gremlins, a better way of venting frustrations than blaming colleagues in the heat of war. Roald Dahl popularised the idea beyond Britain, and so a legend was born.

If you enjoyed this story and would like to read more like it then you might want to sign up to my mailing list, where you’ll get a free ebook and a flash story straight to your inbox every Friday.


By Sword, Stave or Stylus

By Sword, Stave or Stylus - High Resolution

A gladiator painting with manticore blood.

A demon detective policing Hell.

A ninja who can turn into shadow.

Prepare to be swept away to worlds beyond our own in these thirteen short fantasy stories.

Action, art and mystery all feature in this collection, available in all ebook formats.

From reader reviews:

‘These fantasy genre stories take wordsmithing and storytelling to great heights.’ – Writerbees Book Reviews

‘There isn’t a single story in here I don’t love. All short and sweet (or dark), all fantasy with history woven through, all a slightly skewed perspective that will make you rethink assumptions. Totally worth a read.’

About “Communication Breakdown”, My New Short Story

Individualism. Communication. Responsibility. There are some big themes underlying Communication Breakdown, my new story in Metaphorosis. So how did I end up writing about them?

The answer lies in part with the character of Julian Atticus. As a character, Atticus is over a decade old. He sprang onto the page, world weary and sometimes drunk, back in 2006, when I wrote the first draft of Our Man in Herrje. That story, which eventually saw publication in Jupiter, was all about communication. Atticus, a professional liar, had to deal with an alien culture that despised untruth. It was a story about a cynical man dealing with more idealistic people and about the value of untruths, from entertainment to conspiracies.

Since then, Atticus has become a go-to character when I want to write stories centred on communication or personal responsibility. Being responsible really isn’t his thing, but he will reluctantly rise to the occasion when forced, or when his conscience takes over, as happens more often than he would like.

This time though, the voice in the back of his head isn’t Atticus’s conscience, it’s an alien that’s sharing his body for a diplomatic encounter. We get very protective of our sense of individual identity and how it ties to our bodies. We see a clear cut distinction between ourselves and the outside world, even though the boundary is actually very hazy. Ideas drift in and out of our heads. We can receive other people’s organs and still be ourselves. And of course, the question of when we become people is a fraught one that blurs the temporal edge of our existence.

Atticus was the perfect choice to face a further breakdown in that distinction. With a parasite in his body, he loses some of his control, some of his self. How will this encounter shape his life? And will he get to go back to his “true” self at the end?

You can judge for yourself in Communication Breakdown, out now in Metaphorosis. And you can read more about Atticus in Diplomatic Baggage, a series of connected flash pieces, or in my short story collection Lies We Will Tell Ourselves.