Chrome and Sandstone – a flash science fiction story

Sharing is caring!

Sergeant Otieno stared down the scope of the targeting laser. Despite the miles between them, she could easily make out the heavily armed androids on the hillside opposite, their chrome skin gleaming with menace. They stalked between heaps of weather-worn sandstone, some ruin from the days of the planet’s first settlers, treating it all like it was just one more heap of rocks. The sight of those machines made a vein in her forehead throb, but she focused on the task in hand. She set the targeter on its tripod, checked the view again, and pressed the button on its side.


Private Graves pressed the long-range radio to his ear, then nodded.

“Bombardment in ten,” he whispered.

They sat in the silence they had shared on so many covert missions, waiting for destruction to rain down.

Rocks rattled on the hillside behind them. Otieno spun around, pistol in hand, ready to take down whatever tin can son-of-a-bitch had found them. Instead, she found herself facing a human.

The woman was dressed in loose, dusty clothing. A trowel hung from a hook on her belt.

“The fuck are you?” Otieno hissed.

“Professor Hana Taslimi,” the woman said, extending a hand. “I’m here with the historical preservation project.”

“The what?”

“We’re trying to protect historical remains from the war. And you’re here to bomb the androids across the valley, aren’t you?”

“That’s classified. Now get down on the ground.”

Taslimi sank to her knees and put her hands behind her head. She was strangely calm for a woman with a gun pointed at her.

“Please, don’t do this,” she said. “Those ruins are unique. Destroy them and we might never truly understand the early expansion era.”

“Let those tin cans win and they’ll turn humanity to mulch. What good are ruins then?”

“Can’t you wait for the androids to move and then target them? We don’t need to lose the ruins.”

“This is the most we’ve ever caught in one camp. Can’t miss that shot.”

“They might leave together.”

“‘Might’ isn’t enough.”

“Please, sergeant. Look at what you’re destroying.”

It was hard to resist the passion in the professor’s voice. Besides, what harm would it do to look?

Otieno pulled out a scope and stared across the valley to the ruins. Now that her attention wasn’t focused on the androids, she took in more of what surrounded them. The stones were intricately carved, some with abstract patterns, others with fragments of an image. It showed people in some sort of uniform, though it was hard to make out the details with the stones tumbled apart by time. The artists had worked with the colours of the stones, so that their natural variations added to the patterns of the carvings. The effect was mesmerising.

Reluctantly, she lowered the scope and looked back at the professor.

“It’s all very pretty,” Otieno said. “And I’m sure it’s important history. But history doesn’t win wars.”

“I see.”

Taslimi’s shoulders slumped in defeat. She stared at the dirt for a long moment. Then something stirred in her and she looked up with renewed purpose, this time focused on Graves.

“Why is this war worth winning, private?” she asked.

Graves looked at Otieno, who nodded.

“Cause the tin cans gonna destroy us,” Graves said.

“So we’re fighting for our lives?”

“Hell yeah.”

“And what makes life worth living?”

“Shit, I don’t know. Good stuff. Food, drink, gettin’ laid. Real good music and them big damn pictures with all the awesome little details, you know?”

“So pleasure, and maybe art.”

“Shit, yes. And tin cans, they don’t care ‘bout that. They smash it all up, ‘cause they got no souls.”

“Which is why you have to stop them?”

“Hell yes.”

Taslimi turned her attention to Otieno and raised an eyebrow.

“I see what you did there,” Otieno said.

Graves drew his pistol and stared in alarm at Taslimi.

“She makin’ some move, sarge?” he asked.

“Think, private,” Otieno said. “Who smashes beautiful things?”

“Tin cans, sarge.”

“And what were we about to do to those beautiful ruins?”

“Shiiiit.” Graves’ eyes went wide. “She’s sayin’ we’re no better than tin cans!” He glared at Taslimi and raised his weapon. “You take that back.”

Taslimi’s eyes had also gone wide. This was the problem with smart people – sometimes they forgot how dumb and scared and defensive the rest of humanity could be.

Otieno sighed and holstered her pistol. She tapped the switch on the side of the targeter.

“Call the carrier,” she said to Graves. “Make sure they cancel that inbound strike. Tell them we’re waiting for the enemy to move out, to give us a better targeting opportunity.”

“But what if the tin cans don’t all go at once?” he said.

“Then maybe we don’t get them all. But if we fire now, we know what else it will cost us.”


This was inspired by a friend of mine whose work is focused on preserving history in real conflict zones. As far as I’m aware, she’s never faced down anyone with a gun to save some ruins, but it’s still bloody impressive work.

If you enjoyed this story and would like to read more like it then you might want to sign up to my mailing list, where you’ll get a free ebook and a flash story straight to your inbox every Friday.


Lies We Will Tell Ourselves

Lies - High Resolution

A spin doctor forced to deal with aliens who loathe lies.

A squad of soldiers torn apart by the fiction in their midst.

A hunting submarine with its dead captain strapped to the prow, the crew promising that one day they’ll revive him.

We all tell lies to get through the day, some of them to ourselves, some to other people. Now read the extraordinary lies of the future in these nine short science fiction stories.

Lies We Will Tell Ourselves is available now from all major ebook stores.

Published by

Andrew Knighton

Andrew Knighton is an author of speculative and historical fiction, including comics, short stories, and novels. A freelance writer and a keen gamer, he lives in Yorkshire with a cat, an academic, and a big pile of books. His work has been published by Top Cow, Commando Comics, and Daily Science Fiction, and he has ghostwritten over forty novels in a variety of genres. His latest novella, Ashes of the Ancestors, is out now from Luna Press Publishing.