I love the Middle Ages, that period in European history when feudal lords spent centuries bullying each other in a battle for domination, and from which the first fragile seeds of our modern society emerged. I love it in the same way that I love villains and traitors – it’s a great subject for stories, but I’m bloody glad I wasn’t there. War, plague, famine and of course death – Europe got a huge dose of the four horsemen during that period, not to mention some pretty unsavoury religious and political practices.
Those of you who’ve read From a Foreign Shore or paid attention to my responses to the Writing Excuses exercises will have noticed that I channel this passion into a lot of my writing. It helps that I have an MA in medieval history and two years research experience, which between them save me a lot of research time. But that experience comes from the same source as my medieval writing, rather than inspiring it. My fascination for that era keeps drawing me back.
Issue 7, available now via Amazon (the ebook edition isn’t up there yet, but I’m sure it will be soon), features my story ‘Cold Flesh’, a horror story set during the fallout from one of England’s many medieval rebellions. The rebels have been hanged, but will their memory let the victors move on?
Following on from that, I’ve just had a story accepted by Mark for issue 8. This one’s a straight up piece of historical fiction, giving a child’s perspective on the horrors the Hundred Years War inflicted on northern France. When writing historical and fantasy fiction, it’s all too easy to glorify war and focus on its more active participants. But stepping back and remembering the victims isn’t just important, it’s a way of finding different sorts of stories, different perspectives on life.