A friend and I were talking the other weekend about narrative songs. He writes and performs as part of the splendid steampunk trio Pocketwatch, whose songs are generally stories. One of the things he apparently finds difficult, and which I sometimes struggle with as a writer, is creating a satisfyingly structured story.
This reminded me of one of my favourite story songs, and to my mind one of the most concise and perfectly formed pieces of narrative of the last couple of decades – Eminem’s Stan. While Eminem has built a career out of playing with persona, Stan is unusual for him in being so story focussed. Over the course of a few rapped verses we see the development of two relationships, one existing almost entirely in someone’s head – the central plot of Stan’s obsession with Eminem and the subplot of his relationship with his girlfriend. There is a first act in which the central relationships, characters, and plot are established. A second act in which things become worse, Stan’s anger growing, his personality unravelling through conflicts which drive the story but are entirely rooted in character. And then, in the final act, comes the climax, subplot resolving before main plot, in the terrible drama of Stan and his girlfriend’s death, followed by the pathetic tragedy of how little he has meant to his idol, and a few kind words of intervention coming too late. There’s a distinct character voice, interesting themes of obsession and identity, and a real sense of change through conflict.
I’ve always found Stan moving. But it’s only now, as learning to write has taught me more about the art of story-telling, that I’ve come to admire how skillfully it’s put together. I don’t write song, but if I could craft something half so eloquent I’d be a happy man.