Out Today – Flight to Freedom

How do you escape from an Italian Opera singer in a seaplane, when you’ve got no weapons, no aircraft of your own, and your only help is from a six-foot-six Soviet who makes up for his lack of English language with his fists?! Issue 5369 of Commando has the answer, in my latest comic story, Flight to Freedom. It’s a tale of daring adventure set during the Second World War, and is out now through UK newsagents and Comixology.

Out Today – V for Vitoria

Spain, 1813: Former opponents Tom Hopper and Samuel Jones are part of Wellington’s army, driving back the forces of Napoleonic France. When their captain is captured, it falls upon Hopper and Jones to rescue him. But it will take a daring escape and a lesson in humility before they can join their comrades to face down the French at the Battle of Vitoria.

Out today from Commando Comics, V for Vitoria is the sequel to my previous Napoleonic story, The Forlorn Hope. See Hopper and Jones continue their journey through a wartorn country, aided by Maria, a washerwoman who is more than she seems.*

V for Vitoria is available through Comixology and wherever paper copies of Commando can be found.

*No, she’s not Toad of Toad Hall,  though that would also be cool.

Durand’s Dunkirk – A Commando Comic

The second of two comics I wrote for the 80th anniversary of the Dunkirk evacuation, Durand’s Dunkirk follows the crew of a French SOMUA S35 tank. With the French armies shattered and the Allies in retreat, Regis Durand and his indomitable crew gain a new mission – to hold up the advancing Germans and allow the British to evacuate through Dunkirk.

A Story of Sacrifice

Both Durand’s Dunkirk and its companion comic, Dodger’s Dunkirk, are stories with a message, but those messages are very different. During the Dunkirk withdrawal, the British showed that there could be courage and even triumph in a well-executed retreat, that not every battle should be fought to the bitter end. But the French army showed how sometimes you have to fight on, one person’s sacrifice becoming another’s salvation. The French fought hard to buy time for the Dunkirk evacuation, even knowing that it would leave their country undefended. That’s the battle that Durand fights.

Just as the evacuation didn’t only rescue British troops, the stand that made it possible wasn’t only fought by the French. The film Darkest Hour touchingly demonstrates this, in a section dealing with the fate of British troops in Calais who fought on as a distraction for the others rather than being given a chance to escape. But it was the French army that provided the greatest barrier to the advancing Germans in those last days.

An International War

Another point of this comic was to explore the international nature of the World Wars, a point I bang on about so much it’s probably getting boring, but that bears repeating.

Originally, Durand and Dodger’s comics were pitched as a single script, one that showed how the very different fates of the withdrawing British and the French rearguard were connected. I wanted to celebrate the British success at Dunkirk while remembering how many other countries were involved. It was thanks to my editor at Commando that the one story became two, and I’m really glad I got the chance to expand on that original idea.

In England, we refer to the First and Second World Wars but often neglect that “world” part. Our stories tend to be focused on British experiences, which is understandable but also a bit repetitive, limiting how many facets we see of an incredibly complicated story. There have been some interesting exceptions in recent years, such as the film Hurricane and the recent inclusion of a Sikh soldier in a scene from 1917. I think it’s good that we’re doing that more, as it makes the stories more interesting and more representative of reality. So of course I wanted to depict the French as much as the British in exploring Dunkirk, and also to show other nations, such as the Belgian soldier who plays a key part in both these stories.

One of these days, I might stop banging the drum on this subject. Today is not that day.

The Myth of National Character

This story is also about one of the big myths of late 19th and early 20th-century military thinking – the power of superior national character.

Across Europe, every country found a way to convince itself that it was inherently superior to the rest and that this was reflected in its armed forces. A superior fighting spirit would ensure their victory over a far less impressive enemy. This is a myth that Durand, the tank commander of this story, buys into.

The inherent flaw in this thinking is obvious – if everybody has a superior national character then nobody is actually superior. The myth falls apart based on logic, never mind evidence. It can be a useful myth in motivating troops, but it’s also a dangerous one if it encourages soldiers, commanders, and politicians to ignore reality. Germany didn’t win the Battle of France because of superior national character, but because it had better tactics and the element of surprise. Russia didn’t defeat the Germans in the east because of a greater fighting spirit, but because of superior numbers and a willingness to spend lives in a war of attrition.

Durand goes into the story believing in a superior French fighting character. The question the story asks is how that attitude can stand up to the prospect of defeat.

Out Now

Both of my Dunkirk comics are out now. Both work as standalone stories, but together they create something more complex, showing the same events from different angles. You can buy them electronically through Comixology, or get paper copies wherever Commando is stocked.

Out Now – Durand’s Dunkirk and Dodger’s Dunkirk

I have not one but two Commando comics out this week, with matching covers by the excellent Keith Burns.

Durand’s Dunkirk and Dodger’s Dunkirk tell the stories of two soldiers, one French and the other British, taking part in the fighting that led up the Dunkirk evacuation of 1940. The two stories stand alone but are connected, with events and characters crossing over between the two. It’s one of the coolest projects I’ve had at Commando, and I’m really pleased with the results.

You can get both Dunkirk issues on Comixology or wherever copies of Commando are sold.

Dodger’s Dunkirk – A Commando Comic

I have a pair of linked Commando comics coming out this week, to mark the 80th anniversary of the Dunkirk evacuation. Today, I’m going to talk about the first of them – Dodger’s Dunkirk.

One Man’s War

Dodger’s Dunkirk follows a British infantryman caught up in the Allied withdrawal to Dunkirk.

The Battle of France, fought from May to June 1940, was one of the great disasters of World War Two. The Allies badly misjudged both German capabilities and the terrain they were fighting over. In one of the most dramatic campaigns of the war, the Germans smashed through the Allies’ weakest positions and ripped their forces in half. Thanks to the incredible blitzkrieg advances of German generals such as Guderian and Rommel, the bulk of the Allied forces were surrounded, forced to retreat into an ever-shrinking pocket against the coast, unable to effectively manoeuvre or bring their forces to bear.

This is the chaos that Dodger is caught up in – a shattered army trying to pull itself together, groups fighting desperate, heroic rear-guard actions while the generals try save what they can. But Dodger doesn’t want to withdraw. To him, retreat is failure, and the only thing a soldier should do is fight on. With a gun in his hand and a stiff attitude fixed across his face, he’s set for conflict with his own side as well as the enemy.

Different Forms of Courage

I created Dodger to represent a particular attitude towards courage and fighting spirit.

Holding strong in the face of danger takes a certain stubborn willpower, something that’s a necessity in war. Without the courage to hold your ground despite terrible odds and others’ fears, many battles would have been lost.

But that stubbornness can go too far.  Great military disasters have been born from an unwillingness to compromise, to back off, to accept the limits of what can be achieved and so to salvage something of value from a loss.

Dodger has that stubbornness gone too far. He has his reasons for this, which I won’t spoil here, but that doesn’t mean that he’s right. No Retreat is about a man learning that there’s something dangerous, something toxic in a virtue taken too far. Can he bend with the wind, or will the raging storm of Dunkirk break him?

Why Dunkirk Matters

The Dunkirk evacuation is rightly remembered as a significant moment in history, especially in Britain. The evacuation of 338,226 soldiers in eight days was an incredible logistical achievement, one that saved the bulk of the British army from destruction, along with 100,000 French troops and other Allied personnel. Without it, the Allied armed forces would have been significantly diminished and the remainder of the war might have been very different.

For me, there’s something even more significant about Dunkirk, and that’s the fact that we celebrate a retreat. Well-executed withdrawals are hugely important and hugely challenging to achieve, yet they’re almost never marked in this way. We just want to talk about the victories. With Dunkirk, we acknowledge the importance and the challenge of knowing when and how to give up. It makes the right retreat into a heroic achievement, breaking our narrow view of what qualifies as success.

In challenging and reshaping our view of history, it’s one of the key moments of the 20th century.

The Historical Details

While Dodger’s Dunkirk exists to explore the big picture, historical fiction is also about the little details. So what is there to look out for in this comic?

One of my favourite bits is the Canal Line. As in the First World War, the Belgians opened the slices of their canal system to waterlog the ground, bog down the enemy, and create a stronger defensive line. It’s a small thing amid the carnage, but it’s also a good example of looking beyond the obvious in tackling a problem.

As with many of my Commando stories, the international element is important. The Dunkirk retreat wasn’t just a British effort. Belgian, Dutch, and French forces also played a significant part, and without them the withdrawing British troops would probably have been overrun. An encounter with a Belgian sergeant helps shape Dodger’s approach to the fighting, and there’s also a French tank crew who we’ll come back to in a minute.

This being a Commando comic, you can be sure that the artist will have filled in a lot of extra details, like the uniforms of the soldiers and the equipment they use – enough to please fans of the period. I’ll leave it to you to explore the visual treats that I can’t claim credit for.

More to Come

Dodger’s Dunkirk is released on the 28th of May, alongside a companion comic, Durand’s Dunkirk, which follows a French tank crew through the Dunkirk retreat. I’ll provide some commentary on that one next week, and on Friday a short story tying into them both.

Until then, if you’re looking for more historical fiction then you can check out my mini collection of short stories From a Foreign Shore, and pick up copy of No Retreat on Thursday.

About “Out of the Woods”

This Thursday sees the release of my latest Commando comic, Out of the Woods. It’s a First World War story, telling the tale of Canadian brothers caught up in a gas attack at Ypres. But why tell this story?

The First Gas Attack

This April marks the 105th anniversary of the first poison gas attack on the Western Front. The German army had tried to use gas against the Russians that January, but cold weather had stopped the weapon working. It was at Ypres that the full horror of chemical weapons was unveiled.

The results of the attack were horrifying. Chlorine gas causes the lungs to fill with fluid, drowning its victims on dry land. Survivors were left with terrible damage. It was as terrifying as it was deadly.

That attack was the first of many. Rather than abandon these weapons in horror, each side escalated its efforts to develop killer chemicals. Phosgene, mustard gas, and Lewisite left men dead or forever scarred. Medical staff had to develop whole new approaches to save lives.

By the end of the war, these weapons had a sickening reputation. Countries that were happy to bomb and shoot thousands of young men agreed that chemical weapons were beyond the bounds of war. But for the men scarred in those battles, life would never be the same.

An International War

That first gas attack hit the French army, in particular Algerian troops stationed around the village of Neuve-Chapelle. These North African troops, already caught in a strange and bewildering environment, were hit by a weapon beyond their worst nightmares. Unsurprisingly, they fled in panic.

The gap in the line was filled by the Canadians, who were on the receiving end of the next chlorine attack. Knowing what was coming, and with improvised masks at the ready, they managed to hold out against the assault that followed, even retaking ground lost to the Germans.

This was one of the moments on which the Canadian army’s reputation was built. Like the Australians and New Zealanders, they faced some of the most deadly encounters of the First World War, earning themselves a reputation for toughness and courage. Modern Canadians might be known for politeness, but during that war, they were hardened warriors that the other side didn’t want to mess with.

That’s why the Canadians are at the heart of this story. Their part in the First World War isn’t widely recognised, but they played a crucial role, and on this occasion, they saved the day for the Allies.

That Name…

As for the title of this story, yes, it’s a Taylor Swift reference. My friend Al sings a modified and much more sweary version of the song at larp events, and when I was writing a story set in a wood, it ear-wormed me for hours on end. That made it the perfect title.

So here it is, a story of courageous Canadians and terrifying trauma, to a soundtrack of upbeat pop. Enjoy!

Out Today – Stealing Stukas

The Western Desert, 1941. When they find information about an abandoned squadron of German planes, RAF intelligence officer Captain Ian Thompson and daring Squadron Leader Samuel Westwell head out into the desert to steal a Stuka. But rising tempers and enemy action threaten to keep them from their coup…

My latest Commando comic, “Stealing Stukas”, is out today! You can buy it electronically through Comixology, or get a paper copy through newsagents in the UK.

Out Now – Splashdown in the Pacific

You know what’s good? Pictures. You know what’s even better? Words. You know what’s best of all? Shoving them together to make comics.

Which is my way of saying that I have a new comic out – an issue of Commando titled Splashdown in the Pacific, it’s the story of an American reconnaissance pilot who’s enjoying the quiet of the early Pacific campaign until he meets an Australian officer with a taste for adventure. When they set out on a mission to look for the Japanese fleet, things go downhill fast. There’s a dogfight, a shark attack, a jungle trek, and more.

This story was originally inspired by a photo Commando shared on their Twitter feed, showing the crew escaping from a plane that had been shot down over the ocean. That got me thinking about what that crew might encounter and especially what could make the situation worse. Pretty much everything that crossed my mind is thrown in here, from the aforementioned sharks to Japanese patrols and deadly snakes.

The early stages of the Pacific war were a tense time. After Pearl Harbor and the Japanese seizure of European colonies in the Pacific, it was clear that they were going to head south for an invasion of Australia. The Allies knew that they were coming, but not when and where.

There, as elsewhere in the war, aerial reconnaissance was vital. As Ralph Bennett explains in his book Behind the Battle, there had been a mad scramble to rebuild military intelligence services internationally due to their neglect between the wars. Aerial reconnaissance was a vital part of this work, especially in the wide expanse of the Pacific. A story about two guys taking photos wouldn’t be very exciting, but by putting them in peril, I’ve found a way to make the action centre on them.

As is often the case in war stories, the conflict doesn’t just come from facing the enemy. Being on the same side can trap people together and exacerbate their differences, creating huge tensions. It’s why Richard Sharpe is constantly arguing with the officers on his own side. Stories get dull if everybody’s working well together.

Which is where Mike Anderson comes in. Mike is one of the characters I’ve most enjoyed writing over the past year, and not just because I had fun throwing in Australian dialect. He’s confident, entertaining, and outspoken, which comes across as annoying and abrasive to someone who’s stressed out and just wants a chance to think. Can you see where this is going?

Like most Commando comics, Splashdown in the Pacific is a pulpy action adventure. But like all the best pulp adventures, it’s not the sharks and the snakes and the crashes that make it – it’s the characters and how they relate.

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If you like Splashdown in the Pacific then you might also enjoy my collection of history and alternate history stories…

From A Foreign Shore - High Resolution

What if someone had conquered the Vikings, someone claiming to be their gods?

What if King Arthur’s knights met a very different metal-clad warrior?

What if you were ordered to execute a statue, and hanging just didn’t seem to work?

These short stories explore different aspects of history, some of them grounded in reality, some alternative takes on the past as we know it. Stories of daring and defiance; of love and of loss; of noble lords and exasperated peasants.

From a Foreign Shore is available now in all ebook formats.

Out Now – Lady Death

War has come to the Ukraine, German tanks driving back the Red Army in a brutal mechanical tide. Faced with the prospect of losing everything she holds dear, Svetlana Ivanovna Korzh takes up the gun, ready to defend her homeland. Turned from a teacher into a sniper, she heads into the streets of Odessa in a desperate attempt to stop the onslaught. But as her friends start to fall, a far more personal struggle begins…

Lady Death is my latest story from Commando Comics, brought to life by the art of Manuel Benet. It was inspired by Svetlana Alexievich’s extraordinary history book The Unwomanly Face of War, which explores the role of women in the Red Army in World War Two, their experiences both in action and in transitioning to and from civilian lives. It’s one of the best history books I’ve ever read, and I can’t recommend it enough for the way it brings forgotten stories to light and personalises a vast historical narrative.

While an action comic could never do justice to the complex and difficult lives these women led, I wanted to at least draw attention to their experiences, from the harrowing losses to the touching moments of friendship amid the horror of war. In doing so, I’ve taken fragments of reality and stitched them together into a fictional whole. Many elements of the story are taken from real life. The recruiting officer who doesn’t want to accept women. The troop trains strafed on the way to war. The wedding dress made from parachute silk. The partisans fighting in the catacombs. And most importantly, the thousands of female snipers who risked their lives, only to be forgotten in the aftermath.

Historical storytelling is a strange thing, a delicate balance of truth and fiction. I hope that I’ve included enough truth here to make the story worthwhile, and enough fiction to keep you entertained.



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From A Foreign Shore - High Resolution

What if someone had conquered the Vikings, someone claiming to be their gods?

What if King Arthur’s knights met a very different metal-clad warrior?

What if you were ordered to execute a statue, and hanging just didn’t seem to work?

These short stories explore different aspects of history, some of them grounded in reality, some alternative takes on the past as we know it. Stories of daring and defiance; of love and of loss; of noble lords and exasperated peasants.

You can read more about From a Foreign Shore, including what other readers thought here. It’s available on Kindle through Amazon.