Getting the Start Right: Writing Excuses Exercise 10.16

bookdesign345Writing Excuses 10.16 was, as is often the case, a really good episode. Talking about the importance of the first few lines of a book in drawing readers in, they provided the usual mix of top advice and interesting points to consider. If you’re not a regular listener (which if you write you should be) I particularly recommend this one.

This week’s exercise was:

Write your first thirteen lines, and see how much you can fit into that space—character attitude, point-of-view, mood, genre, conflict, setting, and more.

In keeping with the advice from the show, I’ve taken one of the beginnings I wrote two exercises ago and adapted that. Based on useful feedback in the comments from Ben and Sheila, I’m using my third beginning, which gets quickly into the characters and plot. You can look at the previous exercise to see the original version. Now for the new one…

My New Beginning

Night was falling as the hot air balloon crossed the Prussian siege lines and reached the walls of the Red Castle. Two teenagers in livery gawped at the steam motor as they took the ropes from Dirk Dynamo and secured the balloon to the crenelations. Even before they had finished, Dirk leapt down onto the stonework and assessed his surroundings by the light of burning torches. One hand lay on his holster, ready for whatever trap Isabelle had prepared.

Behind him, Sir Timothy Blaze-Simms scrambled excitedly out of the basket, accompanied by the clatter of gears and gadgets rattling in his pockets.

An elderly servant in a tailcoat held out a gloved hand. He said something in German.

“You catch that?” Dirk asked.

“Sorry what?” Blaze-Simms looked up from peering at a gargoyle.

“Ah, you are British?” The butler’s expression didn’t change as he shifted into English.

“He is.” He pointed at Blaze-Simms. “I’m American.”

“Oh.” Was it possible for a man’s face to fall without moving a muscle? If it was, then the butler managed it. “May I have your card please?”

What I’ve Done

So what did I do there to try to add extra leads into this story, which will be the fourth in my Epiphany Club series, Sieges and Silverware?

The most obvious thing is in the first line. A big part of the plot and atmosphere of this book revolves around the castle being besieged by a Prussian army. I’ve added that in the very first line, and in future revisions I might also use that to tease out hints at Dirk’s military background.

I’ve added a motor to the balloon to hint at the steampunk genre that’s part of these books – together with the already present rattling gears and gadgets, I hope that sets the right tone.

Speaking of tone, I’ve tried to build up the action and suspense side of both the story and Dirk’s character through the way he behaves coming off the balloon. He’s not just looking, he’s assessing for danger. His hand is on his gun. This is an action hero expecting trouble.

The same lines let me introduce the conflict with Isabelle McNair, who Dirk was previously working with. The story’s other main plotline, and the main one for character development, is there straight away.

Some of the character attitudes and setting were already present. The servant’s formality and disdain for Americans, which creates instant conflict with Dirk. The castle setting. Dirk leading the way as Blaze-Simms bumbles along behind him. I’m pleased with what I’ve added. In some ways I’d like to get more in there, but I was concerned about things getting bogged down. I’ve even trimmed down some of the prose to avoid that.

What do you think? How does this work as an opening? And if you’ve read the previous version, is it an improvement or have I just made a mess – these things do happen. Leave a comment, let me know, and if you’ve done this exercise then please share how you got on.

Oh, and if you like the look of these characters then the first in the series, Guns and Guano, is free from most places you can get ebooks, including Amazon.com.

Three Thousand Horses – a #FlashFriday story

Riding The Mainspring - High Resolution“Excuse me.” Isabelle strode across the yard of the stable, skirts held up out of the manure that littered the place. “I would like to speak with the manager.”

“That’s me.” The man had the narrow smile of a nervous weasel and a thin moustache that had never been in style. “Thomas Nathaniel Watkins, Speedy London Carriages, at your service.”

He extended a bony hand, which Isabelle reluctantly shook. Just because she was angry was no reason to abandon good manners.

“I wish to complain.” She stared Watkins in the eye. “Yesterday I hired one of your carriages for an important meeting. The horse died on route, and had clearly been in terrible condition before that. It delayed my journey and meant I missed my appointment with the Crown Prince of Blutagest.”

“Sorry about that, miss.” Watkins chewed on the corner of his lip. “What do you want from me?”

“It’s Mrs, not Miss,” Isabelle said. “Mrs McNair. What I want is an apology and some compensation.”

“Did the driver charge you?”

“He paid me back twice over, but that is hardly commensurate with-”

“Then you’ve been compensated.” Watkins bobbed his head and turned away. “Excuse me, I’ve work to do.”

He walked into the stables and Isabelle stomped after him. How dare this wretched man ignore her concerns?

It took a moment for her eyes to adjust to the gloom inside, and so to make sense of what she saw. Horses were lined up in thin spaces separated by metal bars. Pipes descended from the ceiling into each of their mouths, and some sort of grey slop was being pumped from a machine by the wall. There were blisters on their lips where the pipes entered. When one of the horses tried to step back, a lever swung down from the ceiling and lashed it across the rear. Several of the horses had red welts on their flanks.

“What is this?” She choked on the words, her own concerns all but forgotten at the appalling sight.

“This is how we get the speedy in Speedy London Carriages.” Watkins stroked one of the pipes. “Special diet and mechanical conditioning.” He frowned at her. “Why are you still here?”

Isabelle took a deep breath, not the most pleasant experience in a cramped room full of frightened horses, and turned her glare back on the man.

“I want…” The thought slipped from her mind as the lash descended across another of the horses. “That is I demand…”

It was no good. She couldn’t even string her thoughts together in here. Perhaps that was Watkins’ intent, the odious little man. She had to take this outside.

No. The thought stopped her as she turned toward the door. If the problem was this place, then the solution was not to run from it. Not with so much suffering on display.

“I want you stop this barbarity at once.” She pointed to the horses.

Watkins’ laughter sounded almost as unpleasant as the horses’ pain.

“I own these nags,” he said. “You can’t tell me what to do. In fact…” He grabbed her arm and started dragging her out into the yard. “You can’t be here. This is private property.”

The pain of his fingers digging into Isabelle’s arm was nothing next to the distress she felt at leaving the horses to suffer, or her indignation at being treated this way. But now her passions didn’t block her thoughts, they fuelled them.

“It is private property, isn’t it?” She dug her heels in, no easy feat on manure-smeared cobbles, bringing them both to a halt. “And this whole area is owned by the Duke of Kent, so you must lease from him. I wonder what he would say about letting you continue, if I told him about today.”

Watkins chewed at his lip again, eyes narrowing as he stared at her.

“You don’t know the Duke of Kent,” he muttered.

“Short man, balding a little, dab hand at cribbage.” Isabelle raised her eyebrow. “And he loves horses.”

Watkins looked from her to the stables and then back again.

“Fine.” His shoulders slumped. “I’m sorry you were delayed. Let me get my bookkeeper and we’ll talk compensation.”

“And no more machines for the horses,” Isabelle said.

“You’ll ruin me, woman!”

“Not as much as losing your lease will.”

“Fine.” Now it was Watkins’ turn to look indignant. “Not that it’s your business, but no more machines for the horses. Now will you just go away and leave me in peace?”

“Of course. I’ll come back tomorrow for my compensation.” Isabelle smiled and turned to walk away, then looked back one last time toward the odious Watkins. “And to see how much better you’re caring for your horses.”

* * *

Isabelle McNair is one of the stars of my steampunk adventure Guns and Guano, available as an ebook on most platforms, including Amazon. It’s free most places, and the sequel Suits and Sewers will be out very soon.

This particular story was inspired by reading a post on hollyiblogs, which cited an estimate that 3,000 horses a week died in London in the 1880s. It made me wonder about the lives and deaths of those horses, many of them worked to death as beasts of burden in an increasingly crowded and alienating urban environment. We often talk about the human cost of progress, but there are other sad costs too.

And if you thought this was worth reading, there’s more where it came from – my steampunk anthology Riding the Mainspring is free to anyone signing up to my mailing list. Why not enjoy some more tales of strange gadgets and Victorian life, all for a couple of clicks of the mouse.

The Challenge of Representing Others’ Suffering in Writing

bookdesign348My latest steampunk release, Guns and Guano, has taken me into some tricky territory. Though it is in many ways a rollicking adventure story, it also deals with serious issues around slavery, colonialism and race relations in the 19th century. I firmly believe that a story can both be fun and carry a serious message, but in this instance that created serious challenges for me.

I’m a white, male, heterosexual, middle-class English bloke. I am not part of a group that has ever suffered from systemic oppression, as happened to many Africans and their descendants as a result of colonialism, the slave trade and the racism that endures in some quarters to this very day. I do not know what it feels like to be in that position. I am unlikely to ever know, and no amount of research is going to give me a full understanding.

This means that I can never fully understand or completely represent that experience. If I can’t do that, should I then avoid representing and addressing it?

I think not. To do so would be to retreat into the safe and the familiar, to keep representing, and so perpetuating, the privilege of people closer to my background. It would be to avoid facing the uncomfortable elements of history that put us where we now are. And from a purely aesthetic perspective, it could get pretty bloody dull.

So how do we, as writers, square this circle? How do we represent something if we can never get it quite right?

For me, the answer is by being heartfelt and humble. I’ve tried to use this book to give some voice to the suffering of that oppression. Despite my best intentions, my initial drafts got a lot wrong, and thanks to the feedback of my beta readers the results are much better than they would have been. I know they’re still not perfect, that I’ve made mistakes and will continue to do so, but I’ve done my best, with the best of intentions, and I hope that people enjoy the results.

* * *

Guns and Guano, the first in a five volume story of action, adventure and the dark side of the Victorian age, is available now on Amazon and other ebook retailers, and is free from most sites. The second volume, Suits and Sewers, is coming in the next few weeks.

Writing Beginnings – Writing Excuses Exercise 10.14

bookdesign345Each week, I’m doing the exercise from Writing Excuses’s excellent podcast writing course and sharing the results here. This week’s exercise was working on beginnings:

Start writing your story! Write 500 words, focusing on just one of the promises you’ve identified for your story. Then stop, and start writing another 500 words with a different promise. Aaaand then do it a third time.

For these exercises, I’m working on Sieges and Silverware, the fourth part of a steampunk series I’m working on. You can read the first volume as an ebook now, and read the exercise preceding this one here. Suffice to say, I’ve identified some cool things I want to include in my story, and this exercise is about setting up the promise that those things will happen. So, here are three beginnings, any of which I might eventually refine and use:

Promise 1: Blaze-Simms invents a bizarre steampunk defensive device.

Dirk Dynamo wouldn’t have minded so much if the hot air balloon were plummeting toward the ground. Sure, they were losing altitude fast, and there was no way this would be a pleasant landing. But at least if they were heading toward the ground he could see what was coming, get ready to roll clear or dive into something soft just before they crashed.

What bothered him was the trees. A vast swathe of dark German forest, broken by the occasional rocky outcrop. Sure, the leaves might soften the initial impact. But then the balloon would get impaled on branches, accelerating its descent. They’d be falling through twilight shadows and layers of concealing greenery onto no-one new what upward protruding spikes of wood or rock. Risking life and limb was fine, Dirk lived with that all the time. But he liked to know what he was getting into.

And if possible, he wanted to live through it.

“Any progress?” He glanced away from the approaching treetops and toward Sir Timothy Blaze-Simms, who was frantically disassembling and reassembling a mass of gears and gadgets in the corner of the basket. The Englishman looked a little too excited for a man facing imminent death, but then he always looked happy with a spanner in his hand.

“Almost there.” Blaze-Simms twisted a bolt and something glowed in the contraption in his hand.

There was a tearing sound and the balloon jolted as its ripped seam gave another few inches. Hot air hissed out onto the icy wind, and the treetops raced towards them.

“Almost ain’t gonna cut it.” Dirk grabbed a rope and braced for impact.

Leaping to his feet, Blaze-Simms slapped his device onto the side of the burner. He flicked a switch on its side. There was a whir, a rush of air that almost snatched Dirk’s coat off his back, and suddenly they were rising again.

“Great work, Tim.” Dirk struggled to be heard over the rush of air, but he was sure the grin on his face would convey the message.

Something was spinning on the top of Blaze-Simms’s device, while gears and levers rattled away around the glowing core.

“That will give us six more hours,” Blaze-Simms shouted over the artificial wind rushing past them and up into the balloon.

“Should be enough to get there,” Dirk shouted back.

There was another ripping sound and they stopped rising, though at least they weren’t heading back down into the trees.

Blaze-Simms looked up at the balloon, back down at his device, and then back up at the balloon again.

“Call it three hours,” he said. “Can we manage that?”

“Guess we’re gonna have to.”

Promise 2: A civilised dinner party in a building being bombarded by heavy artillery.

Dirk Dynamo had expected that they might face trouble. He and Sir Timothy Blaze-Simms were heading toward the castle of someone they didn’t know, and who was helping their opponents. That wasn’t the sort of circumstances where you got a warm welcome.

What he hadn’t expected was that the castle itself would be in trouble.

“I say, what a spectacular view!” Blaze-Simms looked up from his notebook to take in the ground beneath their balloon.

The forest below was a sea of green, broken by occasional jagged promontories. The tiled roofs of small German villages added variety to the scene, but their rustic charm was nothing compared with the view up ahead. Rising like a finger pointed toward heaven, the Red Castle rose in grandeur from the hilltop in front of them.

“I’d expected it to be more, well, red.” Dirk turned the propeller Blaze-Simms had attached to the balloon basket, steering their course more directly toward the hilltop fortress. It was a place that had clearly been laid down a layer at a time over the centuries. At its base were walls and towers of grim grey stone, flat and functional, a defensive measure that could once have withstood any kind of assault. Above and behind them, within the protective circle of walls and steep hillsides, were additions of brick and timber frame, mixed in with a more refined kind of stonework in which elaborate arches played a prominent part. And above them all rose a tower more magnificent and ambitious than anything that had come before, many times as tall as the old walls were wide, a fairy tale castle of pale stone reaching to a tiled peak.

“I’m sure there’s a history to the name.” Balze-Simms tapped a pencil against his notebook. “Something involving heraldry, or perhaps blood.”

“Speaking of blood.” Dirk pointed to the open ground in front of the castle. “What do you reckon that’s all about?”

As they grew closer, what had started as a meaningless muddle of human activity was turning into what could only be an army camp. Wagons emerging from the treeline showed that it was still growing, while men in blue uniforms set up tents and organised supplies. Artillery pieces were being arranged facing the castle walls, their aggressive intent clear. It took Dirk back to his own days fighting in a different blue. The memories weren’t all happy.

Blaze-Simms pulled what looked like a snuff box from his pocket, unfolded and extended it until he held a telescope. He peered through the lens toward the castle.

“I say, look at that.” He passed the telescope to Dirk. “She’s definitely here.”

Dirk closed one eye and looked through the telescope toward the point on the battlements where Blaze-Simms was pointing. Three women stood watching the movement below, champagne flutes in their hands.

Promise 3: Dirk and Isabelle reconciling their differences well enough to work together again.

Night was falling as the hot air balloon reached the walls of the Red Castle. An elderly servant in a tailcoat supervised two teenagers in livery as they helped with the landing. Taking the ropes Dirk Dynamo threw to them, they secured the balloon by tying it to the crenelations. Even before they had finished, Dirk leapt from the basket down onto the stonework and looked around in the light of burning torches. Behind him, Sir Timothy Blaze-Simms scrambled out of the basket, accompanied by the clatter of gears and gadgets rattling in his pockets.

The elderly servant stepped forward and held out a gloved hand. He said something in German.

“You catch that?” Dirk asked.

“Sorry what?” Blaze-Simms looked up from peering at a gargoyle.

“Ah, you are British?” The butler’s expression didn’t change as he shifted into English, but Dirk thought there was slightly less of a formal edge to his voice.

“He is.” He pointed at Blaze-Simms. “I’m American.”

“Oh.” Was it possible for a man’s face to fall without moving a muscle? If it was, then the butler managed it. “May I have your card please?”

“Do I look like I’m carrying a card?” Dirk gestured toward the battered balloon, his filthy clothing, the bruises still fading from his face.

“I’m afraid I don’t know what passes for normal in America.” The butler managed to make the last word sound like a curse, and it made Dirk’s blood boil. With the least possible movement, the servant turned to face Blaze-Simms. “Sir, do you-“

“There’s no need for that.” Isabelle McNair stepped out of the shadows of the nearest tower. “I know these gentlemen.”

Dirk felt like someone had grabbed hold of his insides and stirred them around until nothing was in its place and everything was knotted with tension. He fought to take deep, long breaths, calming his hammering heart.

“Mrs McNair.” He couldn’t keep the edge from his voice. Everything about her reminded him of Paris, both the good and the bad. It was the bad that threatened to overwhelm him, and he pressed his anger down. “We’ve come a long way to talk with you.”

“And I look forward to talking with you,” she said. “Though I must confess, I barely know where to start.”

“Sorry would be nice.” Blaze-Simms looked absurd in indignation, his scowl so serious atop his incorrectly buttoned tailcoat. But at least he could express what Dirk couldn’t put into words. “After everything we went through, I think it’s the least we deserve.”

“If I were sorry, I would not have done it.” Isabelle took a step forward, her attention on Dirk. “But I hope that, with time, you might forgive me.”

“That don’t seem likely,” he said through gritted teeth.

“Of course not.” Isabelle smiled, though there was sadness in her eyes. She offered him her arm. “Shall we go inside?”

Dirk thrust his hands into his pockets and nodded toward the door.

“After you,” he said.

Reflecting on the Exercise

This was really fascinating. I enjoyed all three beginnings, and without the exercise would only have ever written one. It’s made me think about which promises are most important, and which help set the tone of the book best, as well as drawing readers into the characters.

If you’ve got any thoughts on which of these three is best, and why, then please let me know – I need to give this some serious thought.

And if you’ve done this exercise or something like it, please share you’re thoughts on it below – I’d be intrigued to hear how you got on.

Plotting the Exciting Bits: Writing Excuses Exercise 10.12

My heroes, ready for action, adventure and a nice cup of tea.
My heroes, ready for action, adventure and a nice cup of tea.

This week’s Writing Excuses podcast was a Q&A on story structure, talking about different approaches to structure and how to get the most out of them. This ‘pick the best bits’ approach fits well with the exercise they gave at the end:

Make a list of all the awesome things you want your story to accomplish. Then put them in the order in which you want them to happen.

As with the previous exercise about plotting with the beginning and end in mind, I’m going to use this exercise to help me develop a novella I’m planning, Sieges and Silverware. The fourth in a series, this sees Victorian adventurers Dirk Dynamo and Timothy Blaze-Simms arrive at a German castle in their pursuit of clues to the location of the Great Library. It’s 1871, Germany has just been unified, and the occupants of the castle are holding out against that unification. Major plotlines include a dispute with their former colleague Isabelle McNair, a siege of the castle, a mad scientist on the loose and some covert feminism in an age run by men.

Making it Easy for Myself

If I was working with pen and paper, I’d have to brainstorm all my ideas, then write them out again in order. Thanks to the magic of the digital age I can put them in order as I come up with them, and edit that order if I’m not happy with it. So what you’ll see is the end result.

Hooray for computers!

Plot Away

My list of awesome things, in order:

  • Dirk getting lost in the crazy layout of the castle.
  • A civilised dinner party in a building being bombarded by heavy artillery.
  • A monster hunt through the darkness of the castle dungeons.
  • An argument that addresses the problems for women in gaining influence in Victorian society.
  • Blaze-Simms invents a bizarre steampunk defensive device.
  • A small band of heroes fending off a massive assault.
  • A discussion on the nature and value of nationalism.
  • The discovery of a mad scientist’s laboratory.
  • Ninjas vs Prussians.
  • Dirk and Isabelle reconciling their differences well enough to work together again.
  • A desperate airship or balloon flight from the castle as it is captured.

All the Cool Bits

Theoretically, I can see a lot of value in this exercise as a way of starting plotting without losing your enthusiasm for a project. It lets you focus on all the coolest things you want to write, and then turn those into something at least a bit coherent and useful.

But for me, in this instance, it’s proved less useful. I came up with a few interesting things, like the Carry on up the Khyber style dinner party. But whereas the first few volumes of this series were about throwing in lots of new cool ideas, by this point the story is about developing and paying off the stuff that’s already in there. I suspect that cool ideas will emerge from the structure, not the other way around.

It’s fitting with the discussion from the podcast. Not every approach to structure is for everyone, and you use the ones that suit you.

Did you try the exercise? How did you get on? And how do you go about structuring stories? Leave a comment, let me know what you think.

Coming Soon: Guns and Guano

bookdesign348

Dirk Dynamo is enjoying a life of learning with the gentlemen adventurers of the Epiphany Club. Joining an expedition to find the Great Library of Alexandria, Dirk finds himself on the island of Hakon, where colonial life is not what it seems. With monsters in the jungle, conspiracies in the mansion and ninjas dogging his trail, can Dirk and his friends find the first clue to the Library before they meet a deadly fate?

The first in my series of Epiphany Club novellas, Guns and Guano, will be up on Amazon by the end of March. A tale of action, adventure and ingenuity, it’s the start of a series of five novellas featuring adventurer Dirk Dynamo and aristocratic inventor Sir Timothy Blaze-Simms, heroes of some of my previous short stories. I’m really excited and proud to be putting this out there.

You can read a couple of Dirk and Blaze-Simms’s earlier adventures in my steampunk collection Riding the Mainspring, available free to anyone signing up to my mailing list. And keep an eye on this blog for more news of the new release.

Very excited I tell you!

Plotting a Beginning: Writing Excuses exercise 10.11

bookdesign345This week’s episode of the excellent Writing Excuses podcast set an interesting challenge in preparation for next month’s focus on beginnings:

Decide on the promises you want to make to your readers in your story. Then outline according to those promises.

The folks at Writing Excuses have talked a lot about the importance of the promises the beginning of a book makes. As a writer, you need to be aware of these promises, and pay off on them at the end, to leave readers satisfied. For more on this I’d recommend checking out some of their episodes on story structure.

Sieges and Silverware

For the exercise, I’m going to do some plotting for the fourth book in the series of Epiphany Club novellas I’m working on. I’m doing this because I need to start planning it anyway, so I might as well use the Writing Excuses exercises for that. With the first two books now at the editing stage and the third one part written, this is the one to get my planning teeth into.

I also find that I’ll put more effort into an exercise if I’m going to use the outcome – hence the use of previous exercises to help plan my Friday flash stories.

Entitled Sieges and Silverware, this story sees Victorian adventurers Dirk Dynamo and Timothy Blaze-Simms arrive at a German castle in their pursuit of clues to the location of the Great Library. It’s 1871, Germany has just been unified, and the occupants of the castle are holding out against that unification.

Plotlines and Promises

To work out what promises to make at the start of the story, I need to know how I’m planning to end it. The biggest plotlines, and where I want them to end, are:

  1. Following a parting of ways at the end of the previous book, I want to see Dirk and Blaze-Simms get back to cooperating with their former colleague in adventure Isabelle McNair, who currently has the clues they need to find the Library.
  2. This castle isn’t going to be able to hold out against the Prussian forces besieging it. In the end, it falls.
  3. The lord of the castle has been carrying out horrifying mad science experiments, and the story will end with his defeat, so that the heroes get a win.
  4. The lady of the castle has had her husband locked up and been running the place. This plotline addresses an issue bubbling along in all these books, and especially Isabelle’s character arc – the challenge for women of taking control of their lives in a male-dominated society. So I want to end with Her Ladyship moving on to something else, not defining herself in terms of the castle and marriage she was pushed into at a young age.

There are other plots too, but those are the main ones. So, if I want them to end that way, what are the promises I want to make for each plot?

  1. That the tension between Isabelle, Dirk and Timothy is going to be a major problem, and that the guys will deal with what they see as her betrayal.
  2. That we’re going to see this siege through to the end.
  3. That we’re going to find out what’s behind the strange monsters prowling the castle.
  4. That we’re going to see what’s going on behind the scenes of this castle, because the lady is being evasive about what’s keeping her husband from meeting the heroes.

MICE Don’t Squeak

There’s another implied promise to be addressed – Orson Scott Card’s MICE quotient. Is this a story whose structure is about Milieu (a setting), an Idea, Character, or Event.

Though they’ll all feature, and different plots are more focused on different aspects, I think this is primarily an Event story. It’s about Dirk and Blaze-Simms’s attempt to retrieve what they want from a castle under siege. So it needs to start as close as possible to the disruption of the event starting, and end as close as possible to its resolution.

That’s easy enough. I can start with them arriving by hot air balloon just as the siege begins, and end with them leaving the same way, with what they came for.

What Goes Into the First Chapter

That being the case, I now have a good idea of what my first chapter will look like.

It starts with the heroes arriving by hot air balloon at the castle, where they believe Isabelle is. There they meet her and Her Ladyship, and find that they’ve combined forces. They ask to speak to the lord of the place, but can’t get straight answers on that. As all of this is happening, Prussian forces arrive to demand that the local region join the newly unified Germany, and Her Ladyship refuses, triggering the siege. Just as they’re trying to work out what to do about all this, a body of a servant is found, ripped to shreds.

Hopefully you can see how I’ve set up all the plot threads there, creating an implied promise that they’ll be addressed. When I come to write the chapter I’ll plan it in more detail. For now though, I have the previous volumes to edit, and I’ve rambled on enough here.

What are your thoughts on how to start a story, and how to get the promises right? Have you tried this exercise? Have you noticed the promises in the books you’ve read? Share your thoughts in the comments.

Ninjas in the Library – More Lego Story Illustrations

ec1c1b

Continuing my recent hobby of illustrating my stories using Lego, here’s a scene from my upcoming Victorian action novella, Epiphany Club 1: Guns and Guano. When ninjas infiltrate the library of the prestigious Epiphany Club, adventurers Dirk Dynamo and Sir Timothy Blaze-Simms find themselves fighting for their lives and for an ancient artefact.

I bought certain Lego sets just to make those ninjas, that’s how much fun I’m having with this!

Now in Colour!
Now in Colour!

Guns and Guano will be out by the end of March, and free on Kindle as soon as I can arrange that. An adventure story flavoured with steampunk and fantasy, it’s the first in a series I’m bringing out this year, and it reads something like this:

Dirk Dynamo is enjoying a life of learning with the gentlemen adventurers of the Epiphany Club. Joining an expedition to find the Great Library of Alexandria, Dirk finds himself on the island of Hakon, where colonial life is not what it seems. With monsters in the jungle, conspiracies in the mansion and ninjas dogging his trail, can Dirk and his friends find the first clue to the Library before they meet a deadly fate?

I’m in the last throws of editing, and more news will follow as soon as I have it!

Coming soon – Avast, Ye Airships!

AvastYeAirshipsYou like airships, right? And everybody likes pirates.* So what could be better than a whole collection of stories about airship pirates?

Nothing. Except maybe if I had a story in that collection. Oh wait, I do!

Coming out at the end of February, Avast, Ye Airships! is an anthology of stories about airships, pirates and of course airship pirates. It features the latest adventure from Dirk Dynamo and Sir Timothy Blaze-Simms, the heroes of my Epiphany Club stories, as they tackle a flying slaver in the skies above the Atlantic. With only their wits, their fists and a pedal-powered flying machine, can these brave adventurers end this aerial menace?

Other authors in this collection include:

  • Rie Sheridan Rose (editor) – writer of various things, including steampunk and horror
  • D Chang – game writer and designer
  • Robert McGough – writer of steampunk, horror and southern gothic fiction
  • Ross Baxter – sci-fi and horror writer who started writing to fill the time while at sea – how cool is that?
  • Steven R Southard – writes all sorts of historically flavoured genre fiction
  • K. C. Shaw – author of several airship pirate stories
  • Steve Cook – writer and teacher, a combo I’ve also been
  • Lauren Marrero – romance novelist
  • Steve Ruskin – I’d tell you more, but sadly I can’t get his webpage to load
  • Jim Reader – writer, house husband and Texan, which is close enough to ‘cowboy’ to make me jealous
  • Jeffrey Cook – a writer whose first book came out of NaNoWriMo, proving that motivating month can work
  • Charlotte Hunter – writer of creepy things
  • Stephen Blake – from southwest England, a land traditionally full of pirates, smugglers and other seafaring rogues
  • Libby Smith
  • Diana Parparita
  • Wyenlda Deaver
  • Amy Braun

I’m really looking forward to this collection, and will share more details nearer the time. Hopefully by then I’ll also have some more Epiphany Club-related news, but that’s dependent on me finding editing time, so don’t hold your breath.

Polly want a cracker?

 

* Not the real ones who terrorise the Indian Ocean with assault rifles. The ones with parrots and dubloons.

A Flash of Power

Today marks the first in what will hopefully become a regular fixture on this blog – Flash Fiction Friday.

Last Friday, Lisa Walker England declared her intention to post a piece of flash fiction on her blog each Friday, because it seems odd for fiction writers not to put fiction on their blogs. That made a lot of sense to me, and I’ve decided to join in.

So here, hastily written but hopefully still entertaining, is my first Flash Friday piece. Enjoy!

A Flash of Power

The factory rushed up and down the Lancashire hillsides, a vast mass of red bricks and frantically clattering looms, its wheels gouging up fields, ripping chunks from roads, smashing aside drystone walls. Dirk Dynamo clung to the roof like a trooper to his gun as the building continued in its unstoppable course, straight ahead, no distraction or diversion.

‘Tell me again,’ he bellowed over the roar of the engine and the rumble of constant thunder. ‘Why was this a good idea?’

Timothy Blaze-Simms had braced himself against the base of the lightning conductor. With one hand he held his top hat in place, while the other hand held up a rod covered in glass tubes, strange dials and long curling wires.

‘Mobility allows it to travel to the best power source,’ he said. ‘And there’s been some splendid work in Europe on tapping into the power of storms.’

‘But adding the lightning generator?’ Dirk jerked an angry finger upwards. Above the copper globes and sparking wires with which much of the factory was topped, black clouds filled the otherwise clear sky. Every couple of seconds a lightning bolt burst out of the roiling mass, usually hitting the conductor but occasionally lashing the rooftop around them.

‘How else would I know how they worked together?’ Blaze-Simms said.

‘I’m telling you now,’ Dirk said. ‘They work together badly.’

4924919778_56b921cd81_z

He pointed past the conductor and down the latest hill. The outer slums of Manchester sprawled before them, a teeming mass of humanity about to be hit with a crushing weight of bricks.

‘Ah.’ Blaze-Simms looked almost as alarmed as Dirk felt. ‘But I’m almost there. The transverse static sensor says-‘

A flicker of electricity leapt off the conductor and hit the device in Blaze-Simms’s hand. The glass tubes exploded. The dials smoked. The wires burst into flames. He flung the whole thing aside as it started to melt his thick rubber glove.

‘Bother.’

‘Guess we’ll do this the old-fashioned way.’ Dirk scrambled across the rooftop to where long cables ran from the lightning conductor down into the factory and its engines. He pulled the bowie knife from his boot and glanced up at the clouds. Metal knife, metal wires, lightning. This could go very wrong.

He watched the pattern of the lightning strikes, waited for a lull and heaved with his knife at the thick cable. Muscles bulged so hard the seams popped in his shirt. Lightning lashed down again. Just as it hit the tower the cable split and Dirk went flying backwards.

‘Yes!’ he yelled in triumph.

‘No!’ he shouted in frustration as the lightning jumped the gap between cables.

‘We could try earthing it.’ Blaze-Simms’s tailcoat flapped behind him as he stared shamefaced towards the fast approaching city.

‘How?’ Dirk asked.

‘There’s some spare cable in the upper parts room.’ Blaze-Simms pointed down the side of the building to a balcony with a winch and double doors flapping in the storm wind. ‘We can run it from here down to the ground and then-‘

‘On it.’

A drainpipe ran from the roof down past the balcony. Dirk swung himself over the edge and clambered down the cold metal of the pipe.

He’d barely gone six feet down when a flash of lightning struck the top of the drainpipe. Sudden juddering pain ran through his whole body and he was flung from the pipe, hurtling into the empty air.

He shot out his hand, just managed to grab the balcony as he flew past. He gripped as tight as he could with fingers jolted by lightning and the impact of the steel rail.

Thirty feet below, sharply tracked wheels tore the grassy green skin from the countryside.

Dirk swung his other arm up, desperately trying to get a grip as lightning lashed down, now joined by rain.

‘Goddamit Tim,’ he bellowed as the factory smashed into the first slum dwellings, ‘do something!’

‘I am.’ Blaze-Simms appeared grinning above him, the severed end of the conductor cable in his hand. ‘The drainpipe runs all the way down you see, and-‘

He stuck the end of the cable into the steel opening of the drainpipe. A flash lit him up like the New York skyline and he tumbled back onto the rooftop.

Along the wall from Dirk, the drainpipe hummed with power. The factory’s wheels were coated in a bright blaze of electricity as the lightning ran down the pipe, across the wheel-rims and down into the ground.

Robbed of power the wheels slowed and ground to a halt. Inside the factory looms clattered to a standstill. Lightning still lashed around their heads, but it now ran safely away into the ground. Bewildered Mancunians emerged from their houses to stare at the new building in their midst.

Dirk heaved himself up onto the balcony and climbed up the building as fast as his aching body would allow, avoiding metal along the way. Reaching the rooftop he rushed over to Blaze-Simms’s smoking body.

‘Tim? Tim, you alive?’ He grabbed the Englishman by his lapels and shook him hard.

Blaze-Simms’s eyes fluttered open.

‘No more moving factories,’ he mumbled.

‘No more factories,’ Dirk agreed, grinning with relief.

‘Maybe a museum,’ Blaze-Simms said.

 

* * *

If you enjoyed this then you can read other adventures from Dirk Dynamo and Timothy Blaze-Simms, of the ever-adventurous Epiphany Club, in my collection Riding the Mainspring, available as an e-book through Amazon and Smashwords.

 

Picture by Dustin Ginetz via Flickr creative commons.