Werewolves and Whuppings – An Interview With Adrian Tchaikovsky

Tiger and WolfAnyone who follows epic fantasy has heard of Adrian Tchaikovsky. A lawyer, gamer and all round top chap, he’s the author of the Shadows of the Apt series – the sort of massive fantasy work whose printing almost causes deforestation – and the wonderful Jane Austen meets Vietnam war fantasy Guns of the Dawn. I discussed his new book a little last week. Today I have an interview with Adrian, in which he talks world building, writing and which authors could beat him in a fight…

 

AK: Your new book, The Tiger and the Wolf, has just come out. Could you please tell readers what the book’s about and why they should be excited about it.

The Tiger and the Wolf takes us to a completely new world of shapeshifters. It’s a plunge into a setting where everyone has an animal soul, and some – like the heroine, Maniye – have more than one. This is my first new series after Shadows of the Apt, planned for at least 3 books, and the plot moves from Maniye’s quest to escape the reach of her father towards something truly world-shattering.

Why did you pick the particular animals you use in the book?

Obviously I wanted to get away from the insects and arachnids that were the mainstays on Shadows of the Apt. What I ended up with was a mix of the very familiar and the unexpected. So the people of Maniye’s cold northern climes are wolves, bears and tigers, fairly common shapeshifting fare, but other characters travelling in from elsewhere have different shapes – crocodiles, serpents, hyenas. I wanted to get a diverse spread of cultures, and the cultures are inextricably linked to the animals.

Have you learned any new lessons as a writer in the process of writing this book? And if not, could you tell us something you’ve learned from writing one of your previous novels?

I cut a whole hell of a lot of world building exposition. It’s really easy, when you put a lot of work into the world, to want to show your working to the reader. It was actually useful for me to write down, as it fixed it in my mind, but it all had to come out before the final version.

I heard you talking about your re-enactment fighting a couple of years ago. How does that feed into your writing? And which other author would you be most afraid to face in battle?

A basic understanding of how fights work is always a good thing as it gives you a much expanded toolkit when writing those scenes (though, as above, you also have to learn not to show your working too much). In T&W a lot of the fights were kind of crazy to write because the shapeshifting is instantaneous, so characters are shifting in and out of animal shape depending on what works best in that moment.

As for other writers, I’m a big guy but I reckon there are a whole raft of them who would whup my ass but good. Myke Cole, for one, or Martin Page who’s a very accomplished swordsman.

Is there any chance you’ll be returning to the world of Guns of the Dawn? I loved that book.

There’s every chance if it looks as though the demand is there. I have an idea for a sequel, with Emily being called back into military service out of civilian (and married) life, because when you’ve done what she’s done, war isn’t just going to leave you alone. Some day it’ll get written.

And finally the inevitable question – where can people find you online?

My website is www.shadowsoftheapt.com, and I’m on Facebook, and @aptshadow on Twitter.

 

The Tiger and the Wolf is out now from TOR.

Thanks very much to Adrian for the interview, and to Jamie-Lee Nardone for setting it up.

 

The Pen Versus the Sword – a FantasyCon Panel

One of the most exciting panels at FantasyCon, and one with a very eager audience, was ‘The Pen vs the Sword’, on combat in fantasy fiction. On this panel were…

  • Adrian Tchaikovsky – writes fantasy, fights at the Leeds Armoury for research, also does live roleplay
  • Juliet E. McKenna – writes fantasy, does aikido, used to do live roleplay
  • Fran Terminiello – writes fantasy, does 16th and 17th century martial arts
  • Clifford Beal – writes historical fantasy, used to do full armoured combat, now does rapier fighting
  • David Thomas Moore – fantasy writing, moderating on short notice

I’ll try writing this one up as bullet points, see if I get more in than with my last panel writer-up.

Bad sword fighting in fantasy

  • FT: Fighting that’s artless – real western fighting was and is an art and a science.
  • JM: The idea that you can just pick up a sword and fight. Complete novices often tear their own ears in the attempt to fight, and that bleeds a lot.
  • JM: Long fights. Most sword fights last two or three strokes.
  • CB: Using one weapon’s technique or terminology for another.
  • AT: Not taking account of armour – fighting someone with armour requires a completely different approach.

Best sword fighting in fiction

  • JM: Old samurai movies, like Seven Samurai.
  • JM: Game of Thrones books – less the nuts and bolts than the attitudes of the fighters.
  • AT: K D Parker – technically good stuff.
  • AT: Abercrombie’s The Heroes for the sense of the chaos of battle.

Fighting in its social and historical context

  • FT: Rapiers were very much fashion accessories.
  • JM: Swordplay’s survival in Japan was down to the ban on gunpowder weapons.
  • CB: Many wearing rapiers for fashion didn’t know how to use them.
  • JM: Fighting well requires day in day out training to build muscle memory.
  • AT: Old fighting styles can be invalidated by technological change.
  • JM: Fast technological change means skills get lost in two and a half generations.

Planning a fight scene

  • FT: Context is key – battle or duel? What’s the regional etiquette?
  • JM: Less is more on details.
  • AT: Have the fight’s pace and structure driven by the characters’ personalities.

Other odds and ends

  • JM: Someone can have a non-survivable abdomen wound and still fight for twenty minutes – taking out their ability to fight is what counts.
  • FT: The locked crossed swords thing never really happens for more than a second – there are lots of ways out of it.
  • CB: In full armour heat exhaustion is your enemy.
  • FT: Swords are a last resort weapon – would rather have a spear.
  • Someone recommended reading English Martial Arts by Terry Brown.

The panellists did a demo afterwards, which I missed, but here’s a video someone else took of it:

[youtube https://www.youtube.com/watch?v=GHQC_Ds5sTs?rel=0&w=560&h=315]

 

This panel contained a lot of practically useful information on writing fights in fantasy and historical fiction. Anyone have any other guidance on this, or good sources to check out?