My favourite steampunk things

I’m about to launch my first e-books, a steampunk short called Mud and Brass and a collection of my previously published steampunk shorts titled Riding the Mainspring. Those of you on my book mailing list will receive a free copy of Mud and Brass on Monday, and anyone else who’s interested has until the end of the weekend to sign up and get the free story. I am very excited, and more than a little tense.

In the meantime, and to celebrate the occasion, here’s a list of some of my favourite steampunk things…

That really is quite a different engine
That really is quite a different engine

Favourite steampunk book

The Difference Engine by William Gibson and Bruce Sterling was the first steampunk book I ever heard of. I was fascinated by this transformation of Victorian history. From steam powered computers to aerodynamics inspired by dinosaurs to battles in the smog, this sold me on steampunk.

There's nothing gentle about that boat
There’s nothing gentle about that boat

Favourite steampunk comic

The second volume of Alan Moore and Kevin O’Neill’s League of Extraordinary Gentlemen was still coming out when I first got into comics. While the first volume of League is great, this is the one that really excites me. Featuring icons from my childhood such as John Carter’s Mars, Rupert the Bear and H G Wells’s alien invaders, this is an incredibly vivid, incredibly exciting, and incredibly warped tale. The detail of O’Neill’s art is extraordinary, and this is some of Moore’s finest writing.

IMG_0568[1]

Favourite steampunk music

My friend Will is part of Pocketwatch, a great steampunk band. But before they were Pocketwatch they took part in The Clockwork Quartet. The Quartet‘s gig that I saw in London was fantastic. The whole room was decked out in steampunk style. Half the audience was in costume. The bar served espresso and absinthe. The show featured a sword fight, a dancing conductor and a virtual orchestra of performers, far more than the four of a traditional quartet. I love Pocketwatch, but that Clockwork Quartet performance is one of the best gigs I have ever been to, and I love my souvenir CD.

Oh the adventures we have seen, this hat and I
Oh the adventures we have seen, this hat and I

Favourite steampunk event and costume

I was privileged for a few years to be part of a small steampunk live roleplay group called The Company of Crimson, in which I played the valet Jackson. Thanks to a player’s family connection we once played an event at Skipton Castle in Yorkshire, during which we stormed the castle on Sunday morning, leading to a gunfight in the back garden. I roamed the grounds serving tea and bullets, while Rasputin and his evil minions leapt out at us from the undergrowth.

It was a fantastic experience, and my bowler hat, which saw occasional use by Jackson, remains one of my all time favourite pieces of costume.

What are your favourites?

Those of you who dabble in steampunk or alternate history, what are your favourite examples?

And remember, if you sign up for my mailing list by the end of the weekend you can get that free e-book on Monday.

Some Saturday listening – folk I know

It’s Saturday! You don’t want to be reading my opinions on literature or how best to drink a cup of tea. You want to be listening to awesome tunes and chilling out with a good book.

To help you achieve that weekend nirvana, and to publicise the creativity of others instead of just myself, here’s some music by people I know. Most of it’s folk, all of it’s excellent. Enjoy!

Old Worlds by The Patient Wild – the folk rock stylings of blog commenter Glenatron and others, combining passion and stringed instruments to awesome effect:

[soundcloud url=”https://api.soundcloud.com/playlists/25146938″ params=”auto_play=false&hide_related=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

 

Yan Tan Tether, my sister-in-law Rosie’s folk trio, singing beautiful songs live at Otley Courthouse:

[soundcloud url=”https://api.soundcloud.com/tracks/149119880″ params=”auto_play=false&hide_related=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

 

Steampunk trio Pocketwatch covering Tonight Tonight by Smashing Pumpkins. Will of Pocketwatch is a mad creative genius and inventor of the blunderbow:

[youtube https://www.youtube.com/watch?v=-2kesQ-exzc&w=560&h=315]

 

Accidental Crimes by Driven Serious, from my old geeking grounds in north-east England. Their bassist Tim has the facial hair of an angry pagan god, yet is one of the most lovely blokes I know:

[youtube https://www.youtube.com/watch?v=sE2dqoalbP4&w=560&h=315]

Stan – the perfect story song?

A friend and I were talking the other weekend about narrative songs. He writes and performs as part of the splendid steampunk trio Pocketwatch, whose songs are generally stories. One of the things he apparently finds difficult, and which I sometimes struggle with as a writer, is creating a satisfyingly structured story.

This reminded me of one of my favourite story songs, and to my mind one of the most concise and perfectly formed pieces of narrative of the last couple of decades – Eminem’s Stan. While Eminem has built a career out of playing with persona, Stan is unusual for him in being so story focussed. Over the course of a few rapped verses we see the development of two relationships, one existing almost entirely in someone’s head – the central plot of Stan’s obsession with Eminem and the subplot of his relationship with his girlfriend. There is a first act in which the central relationships, characters, and plot are established. A second act in which things become worse, Stan’s anger growing, his personality unravelling through conflicts which drive the story but are entirely rooted in character. And then, in the final act, comes the climax, subplot resolving before main plot, in the terrible drama of Stan and his girlfriend’s death, followed by the pathetic tragedy of how little he has meant to his idol, and a few kind words of intervention coming too late. There’s a distinct character voice, interesting themes of obsession and identity, and a real sense of change through conflict.

I’ve always found Stan moving. But it’s only now, as learning to write has taught me more about the art of story-telling, that I’ve come to admire how skillfully it’s put together. I don’t write song, but if I could craft something half so eloquent I’d be a happy man.