Spiderman Homecoming is one of my favourite Marvel movies so far. It’s fun, exciting, and heartfelt in exactly the way I like Spiderman to be. And now I’m going to skip past all the enthusing I could do about its plot, dialogue, and characters, because there are actual reviewers for that. I want to talk about how this fun, breezy film reflects upon serious issues in America, issues that are all too familiar to someone living in Britain.
Who’s Who in Homecoming
There are three important sets of characters in Homecoming – school, villains, and The Man.
Peter Parker’s school is a youthful and diverse place. The students and staff represent the complex and varied society of a modern global city, without the story ever making an issue out of this. It’s a space that celebrates diversity and representation while recognising that everyone has their flaws and weaknesses. This is the America that liberals want to encourage.
The villains are working class men. They’re mostly white, though with a significant black character. A lot of them are getting on in years. They’ve been shit on by the establishment. Their overriding concern is to look after themselves and their families. This is the America that conservatives want to protect.
Then there’s The Man, as represented by Stark Enterprises and Damage Control. These are economically and politically powerful organisations run by people in suits. They cause problems for everyone else. They’re caught up in the big picture and aren’t good at seeing how that affects the people around them. They’re powerful, patronising, and not as smart as they could be.
You don’t need a degree in semiotics to see how this is symbolic of what’s going on at the moment. The sides of America represented by Spiderman’s school and his villains are in conflict politically. At its extremes, this is supporters of Trump versus supporters of Obama and Hilary. The irony being that they’re both voting for faces of The Man, the big traditional bodies that have let them all down.
I’m not saying that Spiderman Homecoming offers a deep exploration of these themes. I’m in two minds about whether it’s even consciously looking at them, and when I go back to watch it (which I will, many times) that’s one of the things I’ll be trying to judge. But I still think that it’s doing something important. It’s representing both of these groups in a light that is, if not always sympathetic, at least understable. It’s showing that The Man is a third factor in their lives, not the representative of either group. That shouldn’t be an unusual thing for someone to say, but it is. Hopefully by saying it at all, this film will help people to gain a little more insight into the society we live in.
Maybe it will even, as the film suggests, offer hope for reconciliation amid further divisions.
As Cap says, it just might take a little patience to get us there.